Some people believe every single word of Plato's account to be true, while
other people believe every single word to be totally false. Yet there are small
details, like the mysterious alloy called "Orichalcum" which one translator, Sir
Desmond Lee considered to be "a completely imaginary metal" but actually exists
in the Andes as an alloy of gold and copper. Here is what Karen Olsen Bruhhs
writing in "Ancient South America" has to say about it... "Copper and copper
alloy objects were routinely gilded or silvered, the original colour apparently
not being much valued. The gilded copper objects were often made of an alloy
which came to be very important in all of South and Central American metallurgy:
tumbaga. This is a gold-copper alloy which is significantly harder than copper,
but which retains its flexibility when hammered. It is thus ideally suited to
the formation of elaborate objects made of hammered sheet metal. In addition, it
casts well and melts at a lower temperature than copper, always a consideration
when fuel sources for a draught were the wind and men's lungs. The alloy could
be made to look like pure gold by treatment of the finished face with an acid
solution to dissolve the copper, and then by hammering or polishing to join the
gold, giving a uniformly gold surface."
The process was further explained and demonstrated by Adam Hart-Davis in his
programme "What The Ancients Did For Us" screened by the "Open University"
(BBC2) 2nd March 2005. Since gold was not used as a currency, it was valued more
for its colour and beauty, gold being the "sweat of the sun" and silver being
the "tears of the moon." Taking a small piece of Tumbaga consisting of 50% gold
and 50% copper, the alloy was hammered into the shape of a miniature mask
suitable for mounting on a finger ring.
At this stage it looked like polished copper before
being annealed by heating with a torch to a cherry-red colour at a temperature
of 500º.
The alloy was then quenched in water whereby it turned black due to the
copper on the surface oxidising and turning into copper oxide on top of the
gold.
The alloy was then immersed in a hot solution of Alum whereupon like some
ancient alchemical process, the copper oxide dissolved away revealing a shining
gold surface of quote "the most noble of the metals looking like pure gold."
An axe head from Tiwanaku, Bolivia.
Made of "orichalcum" – a mixture of gold and copper with a small percentage of
arsenic
- the untreated surface is darkened with copper oxide
a small block of
orichalcum before working the metal is
punched into the shape of a mask
the untreated
alloy of orichalcum heated until it turns
cherry-red
quenched in
water it turns black due to the copper oxide
the copper oxide is dissolved in
a solution of alum
left, the alum
dissolves away the copper oxide to reveal a gold-like object
right,
Orichalcum after the copper has been dissolved from the surface
above, orichalcum looking like gold on the
left and looking like copper on the right
So there is nothing "imaginary" about Orichalcum.
Plato's Atlantis - "Something more than a name - orichalcum - was dug out of the earth in many places of the island, and, with
the exception of gold, was esteemed the most precious of metals among the men of those days."
Orichalcum, also known as Tumbaga, was a naturally ocurring alloy and as such
the percentage of gold to copper would have varied, with a greater percentage of copper giving more of a red colour....
more about tumbaga and South american pre-Columbian gold
Above, (left) a gold mask from the precious metals museum, La Paz.
Above (right) a mask and collar of Orichalcum
"There were mines of it in many paces of the island."
"orichalcum which sparkled like fire."
"sparkled like red fire" (Jowett translation)
twins were a feature of Atlantis; above and below, orichalcum (tumbaga) twins.
above, orichalcum (tumbaga)
above, raft made of orichalcum (tumbaga)
above, orichalcum (tumbaga) bird
above, pre-Columbian "birdman", orichalcum (tumbaga) Smithsonian